Skip to main content Skip to search Skip to main navigation

Cutting-edge contemporary: art at the intersection of paintinge and digital media

The definitve introduction to acclaimed artist Chris Dorland's dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technology decay and post-capitalist aesthetics.

With a groundbreaking text by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland’s hybrid process―blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of postdigital, new media, and contemporary painting.

Artists
Chris Dorland
Edited by
Robert Hobbs
Contributions by
Robert Hobbs
Product Safety
Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail@hirmerverlag.de, Safety instruction according to Art. 9 Para. 7 Sentence 2 of the GPSR not required.

Further recommendations

Loading recommendations...