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A master of Belgian Symbolism rediscovered! Félicien Rops  erotic works remain provocative today and in the nineteenth century, they transgressed every boundary of art. With a keen eye and a sharp pen, Rops exposed the hypocrisies of the respectable middle class. I am Rops, and I wish to be no other! he declared, and adhered to this maxim throughout his life. 

The most poisonous berry of Symbolism, a scourge of the bourgeoisie many terms have been used to describe Ropss radical art. Celebrated by writers such as Charles Baudelaire and Joris-Karl Huysmans, he was a transgressive figure who deliberately aimed his works against the double standards of bourgeois society. His pictures representing an absolute highpoint of printmaking and draughtsmanship from the period invite a critical examination of fin-de-siècle social attitudes, particularly with regard to gender roles.

Artists
Charles Baudelaire, Joris-Karl Huysmans
Edited by
Jonas Beyer (Hrsg.) | Zürcher Kunstgesellschaft / Kunsthaus Zürich (Hrsg.) | Daan van Heesch (Hrsg.)
Contributions by
Contributions by J. Au, A. Belyaeva, J. Beyer, E. Bronfen, V. Carpiaux, D. van Heesch
Product Safety
Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail@hirmerverlag.de, Safety instruction according to Art. 9 Para. 7 Sentence 2 of the GPSR not required.

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