Skip to main content Skip to search Skip to main navigation

Marianna Simnetts (b. 1986) dreamlike, surreal worlds take us into a labyrinth of fragmented realities and uncanny encounters. Using video, artificial intelligence, sculpture, painting, and music, the artist creates immersive installations that simultaneously seduce and unsettle. Simnetts close connection to the ideas of Surrealism is highlighted as a central theme. 

In the newly created painting series Headless, Marianna Simnett makes direct reference to Max Ernsts collage novel La Femme 100 têtes (The Hundred Headless Woman, 1929). In her dreamlike, at times nightmarish installation, she interweaves questions about gender social hierarchy, metamorphosis, vulnerability, control, and pain. Touching on ancient mythology, she connects past and present within her multidisciplinary practice and creates her own alter egos.

Artists
Marianna Simnett, Max Ernst Collageroman, Lisa Tuttle, Max Ernst
Edited by
Madeleine Frey (Hrsg.) | Sarah Louisa Henn (Hrsg.)
Contributions by
Contributions from C. Alemani, M. Frey, S. L. Henn, and a fantasy story by Lisa Tuttle
Product Safety
Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail@hirmerverlag.de, Safety instruction according to Art. 9 Para. 7 Sentence 2 of the GPSR not required.

Further recommendations

Loading recommendations...