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Cutting-edge contemporary: art at the intersection of paintinge and digital media

The definitve introduction to acclaimed artist Chris Dorland's dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technology decay and post-capitalist aesthetics.

With a groundbreaking text by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland’s hybrid process―blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of postdigital, new media, and contemporary painting.

Künstler*innen
Chris Dorland
Herausgegeben von
Robert Hobbs
Beiträge von
Produktsicherheit
Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail@hirmerverlag.de, Sicherheitshinweis entsprechend Art. 9 Abs. 7 S. 2 der GPSR entbehrlich.

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