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Accompanying Paulo Nazareths first US museum show at the Institute of Contemporary Art in Miami in 2019, Melee" presents an engaging and timely look at the artists multifarious work and elaborates on how it engages the complex colonial and racial histories of the Americas." An artist who works across mediums, Nazareth uses performance and sculpture to critique the colonial experience and its afterlives in Brazil and the Americas. His durational performances and installations draw from his joint African and Indigenous heritage to highlight marginalized historical legacies, progressive political figures, non-Western worldviews, and potential methods of nonexploitative living and relating. Nazareths work assumes a new poignancy in light of the return of repressive political forces and the racial reckoning that our historical moment is demanding.
Künstler*innen
Paulo Nazareth
Herausgegeben von
Alex Gartenfeld (Hrsg.)|Gean Moreno (Hrsg.)
Beiträge von
Beiträge von M. Asbury, A. Araujo Bispo, D. Ferreira da Silva, G. Moreno. Gespräch mit dem Künstler von Alex Gartenfeld
Produktsicherheit
Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail@hirmerverlag.de, Sicherheitshinweis entsprechend Art. 9 Abs. 7 S. 2 der GPSR entbehrlich.

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